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Key Points at a Glance
Indus Valley Civilization (c. 2600–1900 BCE)
- Produced the earliest known Indian urban art
- "Dancing Girl" bronze figurine from Mohenjo-daro — cast by lost-wax technique
- "Priest-King" steatite sculpture — 17.5 cm, trefoil-patterned robe
- Geometric painted pottery from Harappa — most numerous art objects
- Demonstrates sophisticated craft traditions 4,500 years ago
Mauryan Art (322–185 BCE)
- Monolithic Ashokan pillars — 12–15 metres tall, bell-shaped capitals
- Sarnath lion capital (c. 250 BCE) — now India's national emblem
- "Mauryan polish" — mirror-like finish on stone using sand
- Rock-cut cave architecture at Barabar Hills, Bihar (donated to Ajivika monks)
Gupta Period (320–550 CE) — "Golden Age"
- Classical Sanskrit literature peaked: Kalidasa's Abhijnanasakuntalam, Raghuvamsha, Meghaduta
- Vishakhadatta's Mudrarakshasa — political drama of Chandragupta's rise
- Ajanta cave paintings reached their zenith (Cave 1: Bodhisattva Padmapani, c. 475 CE)
- Nagara temple style crystallised — Dashavatara Temple, Deogarh (c. 500 CE)
Two Classical Temple Styles
- Nagara (North India) — curvilinear shikhara; e.g., Kandariya Mahadeva, Khajuraho (1025 CE)
- Dravida (South India) — pyramidal vimana with gopurams; e.g., Brihadeeswara Temple, Thanjavur (1010 CE)
- Hybrid Vesara style developed in the Deccan (Chalukya, Hoysala)
Buddhist Art — Three Phases
- Early aniconic phase: Buddha symbolised by footprints, umbrella, Bodhi tree — Sanchi Stupa, 3rd century BCE
- Transitional: Gandhara school with Greco-Roman influence, 1st–3rd century CE
- Iconic: Mathura school — purely Indian tradition, red sandstone
Ajanta Caves (2nd century BCE–7th century CE)
- 30 rock-cut Buddhist cave temples in Aurangabad, Maharashtra
- Murals depict Jataka tales using mineral pigments on dry plaster
- UNESCO World Heritage Site — inscribed 1983
Mughal Architecture (1526–1857)
- Synthesised Persian, Central Asian, and Indian styles
- Humayun's Tomb, Delhi (1572) — first garden tomb in India
- Taj Mahal, Agra (1653) — built by Shah Jahan for Mumtaz Mahal; UNESCO 1983
- Red Fort, Delhi (1648); Fatehpur Sikri (1585, Akbar's capital for 14 years)
8 Classical Dance Forms (Sangeet Natak Akademi)
- Bharatanatyam (Tamil Nadu), Kathak (North India), Odissi (Odisha), Kuchipudi (Andhra Pradesh)
- Manipuri (Manipur), Mohiniyattam (Kerala), Sattriya (Assam), Kathakali (Kerala)
- All rooted in Natyashastra — Bharata Muni, 2nd century BCE–2nd century CE
- Natyashastra codifies nava rasas: 9 emotional essences of performing arts
Sangam Literature (c. 3rd century BCE–3rd century CE)
- India's earliest secular literary corpus — composed in Tamil
- Eight anthologies (Ettuthokai) — love poetry (Akam) classified by landscape (tinai system)
- Ten idylls (Pattuppattu) — heroic poetry (Puram): war, death, kingship
- Tolkappiyam (c. 3rd century BCE) — oldest surviving grammar for any Indian language
Hindustani and Carnatic Music
- Two classical traditions — both rooted in ancient raga-tala system
- Hindustani: Persian-Indian synthesis post-13th century; Amir Khusrau credited with khayal form, tabla, sitar
- Carnatic: closer to Vedic roots; codified by the "Trinity" — Tyagaraja, Muthuswami Dikshitar, Syama Sastri (18th–19th century)
- Major Hindustani gharanas: Agra, Gwalior, Jaipur, Kirana, Patiala
Colonial Period Literature
- Bengali Renaissance: Bankimchandra Chattopadhyay — Anandamath (1882), source of "Vande Mataram"
- Rabindranath Tagore — Nobel Prize 1913 for Gitanjali; first Asian Nobel laureate
- Tagore also composed Jana Gana Mana (national anthem) and Amar Sonar Bangla (Bangladesh anthem)
- Urdu flourished: Mirza Ghalib (1797–1869) and Allama Iqbal (1877–1938)
Bhakti Literary Tradition (12th–17th Century)
- Created vernacular literature across India — democratised devotion
- Key poets: Mirabai (Rajasthani), Kabir (Hindi/Awadhi), Surdas (Braj Bhasha), Tulsidas (Ramcharitmanas, 1574–77, Awadhi)
- South: Namdev and Tukaram (Marathi), Purandaradasa (Kannada), Alvar saints' Nalayira Divya Prabandham (Tamil)
- Challenged caste hierarchies through vernacular devotional expression
Indo-Islamic Architecture
- Key innovations: pointed arches, true arches (replacing corbelling), true domes, minarets
- Extensive use of mortar and plaster — structural revolution in Indian building
- Evolved from Qutb Minar complex (1193 CE, Delhi Sultanate) through Lodhi tombs
- Culminated in Mughal masterpieces of the 16th–17th century
